Search Swinburne Research Bank
Please use this identifier to cite or link to this item: http://hdl.handle.net/1959.3/237279
|Download PDF (Published version) (Adobe Acrobat PDF, 696 KB)|
- Watching, writing and control: 'Atonement'
- McFarlane, Brian
- When it comes to the film version of an admired noveI, I want to suggest that it is easy to make unreasonable demands, such as a dogged adherence to character, event and idea, when it might be more reasonable to ask: what makes an exciting adaptation? How far has this particular film made something new and stimulating from the original novel? How far does it make us reconsider that original, whose quality (and qualities) remain(s) unchanged by any number of adaptations? These thoughts are suggested by the British film version of 'Atonement' (Joe Wright, 2007) and its relation to Ian McEwan's award-winning novel.
- Publication type
- Journal article
- Screen Education, no. 49 (2008), pp. 8-16
- Publication year
- FOR Code(s)
- 1902 Film, Television and Digital Media
- Atonement; Film adaptation; Film review; Hampton, Christopher; McEwan, Ian; Novels; Screenplay; Wright, Joe
- Australian Teachers of Media
- Publisher URL
- Copyright © 2008. Published version reproduced here in accordance with the copyright policy of the publisher.
- Full text
- Peer reviewed