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Please use this identifier to cite or link to this item: http://hdl.handle.net/1959.3/237650
- Title
- 'Petersen'
- Author(s)
- McFarlane, Brian
- Abstract
- For many people, it may be the period costume pieces, adapted from Australian literary works, that most powerfully evoke the 1970s Australian cinema revival - the likes of 'Picnic at Hanging Rock' (Peter Weir, 1975), 'The Chant of Jimmie Blacksmith' (Fred Schepisi, 1978), 'The Getting of Wisdom' (Bruce Beresford, 1978) and 'My Brilliant Career' (Gillian Armstrong, 1979). But as influential as these films were in creating the perception of a new national cinema, there was always a lot of very different work going on. I would claim that, in some ways, 'Petersen' (Tim Burstall, 1974) now looks like an archetypal film of the decade - not just in themes, but in style, in personnel, and in how it deals with the relaxed censorship of the 1970s.
- Publication type
- Journal article
- Source
- Metro Magazine, no. 172 (2012), pp. 98-108
- Publication year
- 2012
- FOR Code(s)
- 1902 Film, Television and Digital Media; 2001 Communication and Media Studies
- Keyword(s)
- Australian cinema; Australian films; Film making; Petersen
- Publisher
- Australian Teachers of Media
- ISSN
- 0312-2654
- Publisher URL
- http://www.metromagazine.com.au/
- Copyright
- Copyright © ATOM. This article was first published in Metro Magazine (http://www.metromagazine.com.au/). The published version is reproduced in accordance with the copyright policy of the publisher.
- Full text

- Peer reviewed



